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Meet Maxwell Pearce, the Mixed-Media Artist-Athlete Meeting the Interdisciplinary Art Wave By Natalie Kawam Yang

In recent years, Art Basel has increasingly featured cross-disciplinary projects that showcase the intersection of visual art, design, movement, and sound. Across artistic genres, the boundaries of creative fields are thinning – and the results are exquisite. From Virgil Abloh’s “Social Sculpture” at Art Basel 2021 merging fashion with conceptual art, to Tomas Saraceno’s

2025-11-27T03:56:02+00:00November 20th, 2025|0 Comments

Ancestral Frequencies Curatorial Essay by Ludlow E. Bailey

Across the global African world, the past remains present. It breathes through us, whispering in the rhythm of our hearts and the movements of our creativity. The exhibition “Ancestral Frequencies,” presented during Miami Art Week at the Art Deco Museum, explores the living resonance of ancestral memory and its enduring impact on Black visual

2025-11-27T03:57:19+00:00November 20th, 2025|0 Comments

Divine Swagger: Portraits of Power, Rhythm and Remembrance By Ludlow E. Bailey

Global Curator of African Diaspora Art Black survival is not merely a historical fact—it is a spiritual performance. It is rhythm and resistance, elegance and endurance. It is what I call Divine Swagger: the radiant cultural force that has animated the global Black experience for over five centuries and continues to manifest in breathtaking

2025-11-27T03:58:33+00:00November 20th, 2025|0 Comments

Johannesburg Biennale: The Good, The Bad, the Ugly from Fueling the Future: Art Biennales on the African continent by Alexandra Nelson

Johannesburg was in the wake of escaping the bubble of cultural isolation they had been facing for the past forty-six years when the first Johannesburg Biennale was established in 1995. From May 1948 to 1994, South Africa was ruled by the Nationalist Party which instituted a harsh form of racial, cultural, political and economic

2025-11-27T03:59:39+00:00November 12th, 2025|0 Comments

The 1st Biennial on the Continent: The Alexandria Biennale from Fueling the Future: Art Biennales on the African continent By Alexandra Nelson

Sixty years after the Venice Biennale was established, the Biennale de la Mediterrane was established in 1955 in Alexandria, Egypt by President Gamal Abdel. The Alexandria Biennale was the third Biennale established in the world, with the second being the Biennial de São Paulo in Brazil (est. 1951). The establishment of the Alexandria Biennale

2025-11-27T04:00:28+00:00November 12th, 2025|0 Comments

Relentless Resilience: Black Art in the Face of Adversity

Black History Month 2025 presents a profound opportunity to reflect on the enduring spirit and resilience of Black people globally. The curated exhibition, Relentless Resilience, aims to celebrate the creativity, beauty, and perseverance of Black artists who continue to lead and redefine contemporary art. By showcasing the works of Haitian artists Morel Doucet, Mark Dumont,

2025-05-08T12:38:46+00:00May 8th, 2025|0 Comments
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